- PRINCE HOTEL / TOKYO BAY SHIOMI / HOTEL ART COLLECTION /
- PRINCE HOTEL / TOKYO BAY SHIOMI / HOTEL ART COLLECTION /
- PRINCE HOTEL / TOKYO BAY SHIOMI / HOTEL ART COLLECTION /



SHIOMI STATION
SIDE
ENTRANCE
Old tools related to shipbuilding are collected, heated up, and hammered out.
These are connected with each other in a ring shape to create floweriness like a wreath.
Artist / Atsushi Ozawa
Title / Shipwright’s Circle
Material / Iron
Size / W1500×H1500×D300
Old tools related to shipbuilding are collected, heated up, and hammered out.
These are connected with each other in a ring shape to create floweriness like a wreath.
Once inside the entrance, the doorman and Kagoya will take you to an unusual space with unique art expressing "EDO x TOKYO".

Left
Artist / Fumihito Yamamura
Title /Doorman and Kago-ya
Material / Mural
Size / W4400×H2700
Right
Artist / Fumihito Yamamura
Title / WELCOME
Material / Neon tubing+Mural
Size / W2000×H2700
Once inside the entrance, the doorman and Kagoya will take you to an unusual space with unique art expressing "EDO x TOKYO".

Artist / Fumihito Yamamura
Title / Porter
Material / Mural
Size / W2500×H2100

Artist / Christopher Trotter
Title / No Title
Material / Scrap
Size / W400


FRONT LOBBY
An artwork themed around a Japanese idiom that translates to “standing, she is a Chinese peony; sitting, a tree peony; when walking, a lily,” which expresses the beauty of a woman’s behavior. Originally referring to the use of medicinal herbs, this phrase has been uniquely interpreted in Japan, adding a layer of interest that warmly welcomes visitors with its elegance.

Artist / RYOONO
Title / BOTAN
Material / Acrylic
Size / W3200×H2400×D50

Artist / RYOONO
Title / SHAKUYAKU
Material / Acrylic
Size / W3200×H2400×D50

Artist / RYOONO
Title / Saku-Yuri+wave
Material / Acrylic
Size / W9000×H6700
The “Saku-yuri” used in the counter-back
painting is arranged to resemble waves.
Water, boats, lodgings, storehouses, food... These are the sights and experiences that visitors to Shiomi encounter.
They collect the Chinese characters that represent these things and trace their roots.
The works were created hoping that these ancient cryptic characters will catalyze communication at the hotel's reception, a place of exchange.
Pillar
Artist/ Atsushi Ozawa
Title / Hieroglyphics of Mixing
Material / Iron
Size / W200×H300

- The oracle bone script of “阝” (Kozatohen). It evokes images of land and embankments.
- The oracle bone script of “潮” (tide). Derived from the name of the place "Shiomi" (Tide View).
- The oracle bone script of “建” (build). Symbolizes the new hotel that has been built and becomes the base for
- The oracle bone script of “来” (come). Indicates the arrival at this place.
- The oracle bone script of “宿” (inn). From the theme of this hotel, "Waterside Inn Town."
- The oracle bone script of “土” (earth). Shiomi was reclaimed from the sea, gaining land.

- The oracle bone script of “海” (sea). From the location of Shiomi by the sea.
- The oracle bone script of “州” (island). Shiomi is like an island surrounded by canals.
- The oracle bone script of “倉” (warehouse). There is a large warehouse district in Tokyo Bay.
- The oracle bone script of “東” (east). Derived from the name of Tokyo.
- The oracle bone script of “水” (water). Rivers, canals, and the sea. Shiomi is surrounded by
- The oracle bone script of “岸” (shore). From the location surrounded by canals.

- The oracle bone script of “旅” (journey). The origin of the character comes from a picture of a person leading
- The oracle bone script of “貝” (shell). Marine life.
- The oracle bone script of “行” (go). Indicates travel or movement. The origin comes from a picture of a crossroads.
- The oracle bone script of “辶” (shinnyou). A radical which indicates movement.
- The oracle bone script of “木” (tree). Shiomi is home to the only shipyard in Tokyo that builds wooden boats.
- The oracle bone script of “食” (eat). To experience the culture of a place, one must first experience its food.

- The oracle bone script of “京” (capital). The origin is a picture of an elegant building.
- The oracle bone script of “川” (river). From the surrounding rivers: Arakawa, Edogawa, and Sumidagawa.
- The oracle bone script of “工” (work). A scene of factories lined up along Tokyo Bay.
- The oracle bone script of “材” (material). The Kiba area nearby has flourished as a wood town since the Edo
- 「The oracle bone script of “魚” (fish). Marine life.
- The oracle bone script of “船” (ship). Represents the industries of Shiomi and is a symbolic motif of this hotel.


Title/ Wheel Art
Material/ Iron
Size / φ1400、φ700、φ550
An artwork inspired by the engine
components of a ship.


COURTYARD
Artist / RYOONO
Title / SAKUYURI+WAVE
Material / Acrylic
Size /W6200×H3200
In the Welcome Garden,
fish and waterfowl coexist. While the fish appear startled,
it is because they are wary of being eaten by the waterfowl.

Artist / Christopher Trotter
Title / No Title
Material / Scrap
Size / H1800
Artist / Christopher Trotter
Title / No Title
Material / Scrap
Size / W400
RYOONO
Active since 2000. Specializes in creating murals for commercial spaces such as apparel stores, clubs, hair salons, and restaurants. Provides textile designs for apparel and sports brands, collaborates on corporate items, and works on CD/DVD packaging and logo designs.

Atsushi Ozawa
Born in 1979, Tochigi Prefecture. Graduate of Musashino Art University. Founded OZA METALSTUDIO in Tokyo. Participated in major art festivals such as the Echigo-Tsumari Art Triennale (2009) and Setouchi Triennale (2014). Permanent works include "A Book of Town" (Tachikawa City Hall, 2010), "Memory of a Ship’s Hull" (Uno Port, 2013), and "Tree Memories" (Andaz Tokyo, 2014).

Fumihito Yamamura
Born in 1981, Kumamoto Prefecture. Graduate of the Department of Design, Tokyo University of the Arts. Head of Design Studio Twenty Three. Active as a graphic designer and illustrator, creating a wide range of designs and illustrations.

Christopher Trotter
Born in 1967, Queensland, Australia. Sculptor. Known for recycling discarded scrap materials to create animal sculptures from repurposed components.

BAKIBAKI
Born in 1978, Osaka. Graduate of Kyoto City University of Arts. Street artist. Known for his signature "BAKI pattern," he engages in live painting, murals, and workshops globally, making an international impact.

Jin Hasegawa
Born in 1972, Hokkaido. Began as an artist after studying sociology and product design. Focuses on projects that foster connections between society and nature, aiming to create shared experiences.

SAL
Born in 1970, Hyogo Prefecture. Active since 1996 as an artist. Gained international recognition through works like DJ Krush’s best album cover art. Also creates commissioned works, such as murals for the ballroom of the Hyatt Hotel in Düsseldorf, Germany.

Ryosuke Otomo
Designer and illustrator based in Tokyo, Japan. Graduate of the Department of Design, Tokyo University of the Arts. Transitioned to freelancing after working as a designer for Namco (now Bandai Namco). Works include visuals and illustrations for advertisements, as well as logo and character design.
